There are a small handful of singers who need go only by their given name — Barbra, Aretha, etc. — and Julio is undoubtedly one of them. Not only did Julio Iglesias become the biggest thing to emerge from Spain since gazpacho, with such Spanish smashes as 1975’s sultry, swaying “Abrazame” (“Embrace Me”), but his mammoth talent soon took over the rest of the world. The last link in the chain of his global domination was America, where his duet with Diana Ross on the all-or-nothing love ballad “All of You,” from 1984’s milestone 1100 Bel Air Place, became Julio’s first big Stateside hit. But that earth-shattering album’s next single wasn’t merely a hit, but rather a phenomenon: Julio’s team-up with Willie Nelson on “To All the Girls I’ve Loved Before” scaled the U.S. Pop and Country charts, and made the Spanish crooner an American idol.In Next Steps, Julio moves all over the map, from sensuous samba to steamy tango. You don’t become a worldwide wonder without immersing yourself in other cultures.

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Julio Iglesias has added some Spanish spice to American standards like “Begin the Beguine” (cutting the Cole Porter classic as “Volver a Empezar”), but he’s also dipped into a Brazilian beat, crooning in Portuguese and tossing a touch of samba into “Coracao Apaixonado.” And on his GRAMMY®-nominated 1996 album, Tango, he took an Argentinean turn around the ballroom floor, rolling out romantic takes on tango classics like “Mi Buenos Aires Querido,” by the bard of Buenos Aires himself, Carlos Gardel.Julio sends Spanish kisses to some sweet slices of American pop, in Deep Cuts. Spanish is a language made for lovers, but Julio Iglesias can give that same suave, romantic glow to pop evergreens penned in English.

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He’s stepping into some sizable shoes by tackling Nat “King” Cole’s 1950 blockbuster “Mona Lisa,” but Julio’s vivid version could even steal the heart of da Vinci’s mysterious maiden. Speaking of timeless paintings, Julio works his Madrid magic on “Vincent (Starry Night),” Don McLean’s tribute to Van Gogh’s nocturnal masterpiece, making McLean’s tender lyrics practically melt in our ears. Another ’70s classic gets a romantic realignment when Julio works his way into our hearts in English and Spanish with his dreamy, dos lenguas interpretation of Bread’s sweet ’71 smash “If (E Poi).”.