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A few years ago, became fascinated with a female model who featured in an early 1970s photo with adult film actor,.She was striking: strong, beautiful, and expressive, and not someone we’d seen in any adult films from the period.We were intrigued with who she was, so we set out to find her – and along the way came across a story that included, the (yes, the nuclear bomb program), and many more.But did we find the mysterious model?Sincere thanks to the various sources who were invaluable for this article. These include:, the book, and1. Jamie’s storyThe faded photograph clearly meant something to.He turned over the creased magazine page in his fingers as if it was a priceless document from a distant, long-forgotten age. Which in some ways, it was.It depicts a young Jamie on all fours next to a red couch on a wooden floor in a sparsely decorated apartment.

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He is naked except for a pair of white briefs.The real focus of the photograph however is the second figure. She stands astride Jamie.

She is wearing shiny studded black leather thigh-length boots with fuck-me heels that are attached to an equally shiny black leather corset. She has a blonde, back-combed hairdo, sky-blue eye make-up, and an elabroate choker around her neck.The model has Jamie on a dog leash. She pouts above him, and threatens him with a cat o’ nine tails whip held in her elbow-length black leather-gloved hand.The picture looks to be clearly from the 1970s, though there’s something about it that makes it look older. It has the appearance of a fetish picture from the 1950s, except for the fact that it is in vivid, primary colors.Jamie had recently found it at bottom of one of his few boxes of ephemera relating to his adult film career.

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I asked him why this particular item had survived, while thousands of other images had been lost over the years.“Two reasons,” he said wistfully. “For a start, this was one of the first pictures ever taken of me for a magazine.”“It was a fetish feature in early 1972. I’d just answered an ad in the Village Voice for nude modeling or something, and this was probably my very first job.”He paused, transported back in time for a brief instant.“And secondly it’s pretty hot, don’t you think?”I was intrigued with the model in the picture. I didn’t recognize her from adult films of the era, but she had the aura of a star. Small, cold and cruel.

Like a pocket-sized anti-superhero.I asked Jamie if he had any ideas who she was.His memories were vague. He remembered doing several photo sets with her over the first two years that he was in the business in New York. She had a foreign accent, Eastern European perhaps, and always assumed the dominatrix role with ease. She even brought her own B&D outfits and array of whips to the shoots, and took the lead in staging the photographs, which she did adroitly and efficiently. She was friendly and they liked each other, but he had no idea who she was – or what happened to her.“What if we try and find her?” I said.

“Find out what her deal was. I mean look at her. There’s got to be a story there, right? And what if she’s still alive today?”Jamie shrugged.

“I guess you could try,” he said. “He was the one who took the picture.”Sam Menning.2. Sam’s storySam Menning wasn’t difficult to track down.

He’d used his real name throughout his career as a nude and fetish photographer in New York starting back in the early 1950s. By the time I caught up with him on the phone, he’d moved to Los Angeles many years before and was long retired from photography. He now found work as an extra in film and television shows.“I was in ‘My Name Is Earl’ recently”, he said helpfully.“Can we talk about your old sex photographs instead?” I replied.It turned out he was more than happy to talk about his life, every salacious chapter of it. He invited me over to his house with one warning: he started drinking apple brandy at 4pm each day, and thereafter his memory suffered diminishing returns.

He’d leave my arrival time up to me.Sam’s house was in a Hispanic area of East Los Angeles, and if ever a house resembled its owner’s essence, this was the place. To say it had seen better days would be an understatement, but whichever way you turned, something unexpected lay in wait. Sam greeted me at his gate. He looked like an ancient gold rush prospector, his thinning tobacco-stained hair lingering around his head like summer clouds.

A benign Fagan with an army of cats in place of street urchins.Sam Menning, c. 1966Everyone who described Sam told me he looked old – even those who knew him in the 1960s.

It turns out he was born in 1926 way out west out in Oregon, and only started taking photographs in the late 1940s when he left the Merchant Marines. He settled in New York, and worked briefly as an assistant to Weegee, the notorious press photographer who tailed the city’s emergency services at night documenting their activity in unflinching and gory detail. If Weegee specialized in urban life, crime, and death, Sam’s proclivity was photographing women, preferably wearing as little as possible.

In the early 1950s he turned his attention to pin-up and cheesecake work, with a particular predilection for fetish pictures.